Monday, August 27, 2012

On The Eve of Destruction…


No, I don’t really believe we will come to a fiery end sometime around midnight of December 12 (or, is it the 21st?)… Nor is this about that...

Actually, late last night I was watching one of a series of fund raisers for public television (better than watching the one and only slicer/juicer/vacuum package and coffee maker for $29.99) and this particular one had to do with folk music of the 60’s. These years (late 60’s to early 70’s) were particularly rough on the country.

On the one side, the radical social movements of the left and the Afro-American movement, on the other side the Viet-Nam conflict (it was never actually declared a war…) which turned out to be a great divide in our country; not to mention the VN issue being a useless war (I’m not sure there has ever been a “useful” war) where thousands of kids died, on both sides. In the middle, as usual, a throng of somewhat bewildered people just trying to make a living and go on with their lives in the midst of Prime Time body counts.

This era spawned some of the most meaningful music (and a host of silly entries as well) we had seen (and have, since then) especially in the folk music movement. There were individuals who rose to the top, like one Pete Seeger, who became one of a kind. His best known work was a little ditty which went something like “To every season… turn, turn, turn…” remember that one? It was sung by many. The best known rendition came from McGuinn and the Byrds, I believe. My favorite take? Judy Collins’… she of the incredible voice…

Many trios, groups and individuals with a lot of talent justly rode the movement to glory and fame; some others just latched on to their coattails. Clarence Clearwater, The New Christy Minstrels, PP&M (that’s Peter, Paul and Mary, if you had to ask…) James Taylor, and so many others. In that music, there were stories, as were also in the music of one Harry Chapin, a trailblazer of new songs in the traditional story telling mode.

One such singer, who became prominent after he left his original organization, the before mentioned New (never knew the “old”) Christy Minstrels, was Barry McGuire. He had collaborated on their initial big hit “Green Green” and, on leaving them, he wrote the song for which he is best known and remembered “The Eve of Destruction”. His gravelly voice made it unique and the message was deep cutting for the times. A favorite quote from it… “you’re old enough for killin’ but not for votin’… you say you hate war, so what’s that gun you’re totin’?” 

Last night, I heard him sing it once again, gravelly voice intact, but not so the mop which covered his top back then… this Barry version, obviously older (why is it they all get older but one doesn’t?) had a shiny top where that mop used to sit… a little heavier around the belt but still rendering the message.  It was a déjà-vu moment, a moment which, at 1 in the am, very easily takes one into that reverie land where time evaporates and the mists of the years disappear but for a fleeting moment.

Army time and Penny Lane (came to really dislike that song in the beginning…), the flower movement, the VN conflict, the night classes at the university, the stints at the different radio stations where I worked, the feeling of joy at exploring a new universe… A time when new thoughts were being espoused, never before defined horizons explored and society was being rocked out of complacency and into a new reality… even if it was done while that very society kicked and screamed at the top of its lungs.

It has been said by more than one historian that from 1967 to 1972 it was the closest this country had been to a civil war since the North/South war… Alabama’s Governor Wallace standing at the University’s doorstep, trying to stop black students from coming into the heretofore lily white halls; the oh so brave kids coming to class and having to walk between police dogs which looked at them as looking at a potential meal. These kids were unsung champions; what they braved then, in the name of that very society which was trying to maul them emotionally, if not physically, was indeed the stuff of heroes.

Daily demonstrations in just about all University Campuses (Campii?), disruption of classes, the 1968 democratic convention where blood actually flowed in the street and hundreds were jailed…  If we were to describe these images today, the listener might think we were talking about a Middle Eastern country in the throes of social upheaval… And it was social upheaval all right, except this was happening in our own backyard, our country.

But we survived, and the system once again (and God Bless it for this) proved to be stronger than the individual causes and interests; we are here today, facing other issues and other problems, but with the knowledge that we don’t have to stage a take over or a revolution to resolve them.

We just have to exercise the right to vote based on our own beliefs and convictions.

So, many time softened memories and much thought and remembrances, all sparked by one song whose message was as real then, as it is now. 

Be Well … Be Back!!!

Final Notes:
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